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Brahms


Brahms

Category: Raidshare Music

Tag: Music


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Brahms & Tchaikovsky - Violin Concertos

Jascha Heifetz, Fritz Reiner & Chicago Symphony Orchestra


Classical | RCA Living Stereo | APE booklets covers | 326Mb

Unforgettable performances by the king of all violinists. Recorded in 1955 and 1957.Two complete Living Stereo LPs on a single disc. The unique brilliance of Heifetz's artistry is even more exciting in this new DSD remastering of two cornerstones of the violin concerto repertoire.



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http://rapidshare.com/files/25114503/brah_chaicopki_vi_o_long_con_d_op_77_35_heifetz_rca.part2.rar

http://rapidshare.com/files/25115517/brah_chaicopki_Vi_o_long_Con_D_Op_77_35_Heifetz_rca.part3.rar

http://rapidshare.com/files/25115320/brah_chaicopki_Vi_o_long_Con_D_Op_77_35_Heifetz_rca.part4.rar

http://rapidshare.com/files/25122874/brah_chaicopki_Vi_o_long_Con_D_Op_77_35_Heifetz_rca.part5.rar

http://rapidshare.com/files/25120317/brah_chaicopki_Vi_o_long_Con_D_Op_77_35_Heifetz_rca.part6.rar



Other albums (all in Lossless format - APE, FLAC):

http://docs.google.com/Doc?id=dgnmnghn_1dv5czr

last updated 28 Jun 2007:

Opus3 Test CD 4 & 5 *Audiophile*

Carl Orff - Carmina Burana - Seiji Ozawa * DVD & CD *

Beethoven & Mendelssohn: Violin Concertos [RCA Living Stereo] & [EMI Great Recordings of the Century] *Audiophile*

List of all my posts


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In the very early days of Fanfare , one critic dismissed Heifetz as a relic, soon to be ignored. Of course that’s turned out to be utterly false; the Heifetz blend of fire and ice has been tremendously influential since then, and the somewhat more romantic elements of his playing are coming back into vogue (not that, in his maturity, Heifetz was given to romantic extremes). Just think about Itzhak Perlman, whose entire career has been an effort to play like Heifetz (to the extent of appropriating the more oddball elements of his repertoire) while being loved like Kreisler. Heifetz retired 35 years ago, but his style is still very much with us. So are his recordings.



Little need be said about these justly famous performances from 1955 and 1957. The Brahms has great drive—Heifetz and Reiner get through it in 35 minutes—but this never comes at the expense of Heifetz’s singing tone. Heifetz provides his own cadenza, which is suitably virtuosic but not alien to the Brahms style. From soloist and orchestra alike, this is a note-perfect performance in a vivid recording, about which more later. The Tchaikovsky offers more of the same, although in this case the brevity (just under 30 minutes) has more to do with a small cut than with speed. The performance is extroverted yet elegant, truly debonair, benefiting from the soloist’s rich tone and sustained phrasing and Reiner’s incisive partnership.



This is one of the RCA Living Stereo hybrid SACDs, two-track in the case of the Brahms and three in the Tchaikovsky. In the Brahms, the orchestra is string-dominant, with winds and brass comparatively submerged most of the time, although Heifetz seems naturally positioned, closer to the orchestra than to the listener. The orchestra is better balanced in the Tchaikovsky. All in all, this is the best sonic presentation of these recordings yet.



1. Concerto for Violin in D major, Op. 77 by Johannes Brahms

Performer: Jascha Heifetz (Violin)

Conductor: Fritz Reiner

Orchestra/Ensemble: Chicago Symphony Orchestra

Period: Romantic

Written: 1878; Austria

Date of Recording: 2/1955

Venue: Orchestra Hall, Chicago

Length: 34 Minutes 21 Secs.



Notes: Jascha Heifetz performs his own cadenza.





2. Concerto for Violin in D major, Op. 35 by Peter Ilyich Tchaikovsky

Performer: Jascha Heifetz (Violin)

Conductor: Fritz Reiner

Orchestra/Ensemble: Chicago Symphony Orchestra

Period: Romantic

Written: 1878; Russia

Date of Recording: 04/19/1957

Venue: Orchestra Hall, Chicago

Length: 29 Minutes


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